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Cicada Press School Of Art & Design   DA: 21 PA: 50 MOZ Rank: 71

Cicada Press was established by founding Director Michael Kempson in 2004 to foster research projects that facilitate diverse contemporary dialogues and promote the broad methodological potential of printmaking practice.

Where To Buy Museum-Quality Affordable Prints Online   DA: 20 PA: 50 MOZ Rank: 71

  • Cicada Press is run from within the printmaking department at UNSW Art and Design at the University of NSW in Sydney
  • It was established by its Director Michael Kempson in 2004 and it brings together working artists and printmaking students to produce new editions that are then made available for purchase.

Episode 31 The Internet's Number   DA: 22 PA: 15 MOZ Rank: 39

  • Printed by Cicada Press, Sydney In his series, “Attention Machines,” Curran plays with the idea of the new pixel
  • There was a time, and children of the 1980s will remember this particularly well, when pixels were just squares, but now they are different shapes such as triangles and lines.

UNSW Art & Design   DA: 21 PA: 21 MOZ Rank: 45

  • UNSW is continuing to review and monitor the COVID-19 situation and updating students, staff, partners and visitors as new information comes to light
  • Visit our COVID-19 website for more information

Bob McPhillips Facebook   DA: 16 PA: 15 MOZ Rank: 35

Freedive HQ Philippines, Cicada Press, Sydney Beer Week, Stuart broad is a shit bloke, TAFE NSW - Arts, Adam North photo, The Sydney Gallery School Student Community at Meadowbank TAFE, Berenice Humphrey - Model, actress and performer, Superstar Magazine, Victor Gordon, Andrew Tour - Elders Toongabbie, Outsider Art, RattleBone, Roland V-Drums

Cicada Press Sydney Contemporary   DA: 25 PA: 22 MOZ Rank: 52

Sydney Contemporary acknowledges the Gadigal People of the Eora Nation who are the traditional custodians of the land, and we pay our respects to their elders, past and present, and extend our respect to other First Nations people.

Naomi Shedlezki Facebook   DA: 16 PA: 16 MOZ Rank: 38

The Australia Japan Match Box Project is an ongoing series of people to people exchanges, cross cultural exhibitions, talks, events, and tours between Australian and Japanese artists and arts professionals and the general public of both countries.

ABOUT Liz Perfect Art   DA: 18 PA: 6 MOZ Rank: 31

  • 2013 - Custom Printing Catalogue, Cicada Press, Sydney
  • 2012 - Portfolio i Etching !, Cicada Press, UNSW, Sydney
  • 2012 - Of Light Issue 1, Magazine & Catalogue, Yolk Collective
  • Professional Artist Memberships
  • NAVA National Association of Visual Artists, Australia
  • Warringah Printmakers Studio, Sydney
  • Tree Veneration Society of Artists, Sydney

Print Fair Australian Print Workshop   DA: 31 PA: 37 MOZ Rank: 76

  • Cicada Press (Sydney) Negative Press (Melbourne) Sunshine Editions (Melbourne) Australian Print Workshop (Melbourne)
  • Printing demonstrations were accompanied by education displays and information about different print processes
  • Hundreds of affordable original fine art prints could be viewed, discussed with the printer, and purchased.

Cork Printmakers In June Festival Irish Arts Review   DA: 23 PA: 35 MOZ Rank: 67

  • CORK CITY will be festooned with Fine Art Prints during the Cork Midsummer Festival which takes place this year in the last week of June
  • A trail of print exhibitions will stretch across the city in such notable locations as the Atrium at Cork City Hall, the CIT Wandesford Quay Gallery, the Foyer of the Glucksman Gallery, the CIT Crawford College of Art and Design, the Triskel Arts Centre and

Galleries Sydney Contemporary   DA: 25 PA: 11 MOZ Rank: 46

  • The main sector provides a significant platform for solo or group exhibitions by leading galleries from around the region
  • A dynamic platform for young galleries which have been operating for five years or less, presenting curated solo or duo artist exhibitions of new work
  • Open to established galleries presenting the


  • Britto Artists’ workshop (2005) and has been artist in residence at Cicada Press, Sydney (2009 and 2013), Blacktown Arts Centre (2011–2012) and currently at Parramatta Artists Studios (2013)
  • His notable co-curating credits include Michael Esson: A Survey of Drawings (2010), Michael

Elisabeth Cummings: A Still Life By King Street Gallery   DA: 9 PA: 48 MOZ Rank: 69

  • Coffee Pot and Pot Plant 2013 etching 51x40cm [sheet size] 21
  • The Blue Jug 2013 etching 50.5x46cm [sheet size] 22
  • Turkish Coast 2013 etching 50.5x40cm [sheet

HILL END ARTS COUNCIL: 9/6/15   DA: 31 PA: 24 MOZ Rank: 68

Cicada Press, Sydney Editions Tremblay NFP, Cairns Gallery East, Perth grahame galleries + editions, Brisbane Impediment Press, Sydney Marnling Press, Sydney Monsoon Publishing, Townsville Negative Press Table, Melbourne Red Rag Press, Townsville Sydney Print Makers, Sydney The Art Vault, Mildura Ugg Boot Press, Townsville Umbrella Studio

Impediment Press Exhibitions & Book Fairs   DA: 22 PA: 30 MOZ Rank: 66

  • Sydney Contemporary Art Fair, Carriageworks, Sydney, NSW

CV — Michael Kempson   DA: 22 PA: 7 MOZ Rank: 44

  • Cicada Press Publications – Sydney Australia, Davidson Galleries, Seattle, Washington, USA
  • Tracing the Line, curated by Rilka Oakley for the Print Council of Australia, Blue Mountains Cultural Centre, Katoomba, NSW
  • The Art of Cicada Press, Grace Cossington Smith Gallery, Abbostleigh, NSW.

John Olsen (b.1928) Inspiration (2012) Artsy   DA: 13 PA: 42 MOZ Rank: 71

  • John Olsen stands among Australia's greatest artists
  • Although he is often described as an abstract artist, he refutes classification and instead, describes his practice as “an exploration of the totality of landscape”.

Bicycle Rider, Sydney, 2008 By Noel McKenna :: The   DA: 25 PA: 27 MOZ Rank: 69

  • This is more or less me being bullied by a large 4WD which is how it is on our roads.' (Noel McKenna: polluting the acid - a selection of etchings and lithographs 1997-2013, Darren Knight Gallery online catalogue, 2013)

APW Print Fair Yarra City Council   DA: 24 PA: 33 MOZ Rank: 75

  • Australian Print Workshop (APW) is delighted to present the APW Print Fair, a special weekend celebrating fine art printing and original limited edition fine art prints
  • The APW Print Fair presents a rare chance to engage with many leading Fine Art Printers, visit their Print Fair stands and view original limited edition fine art prints, whilst wandering through the APW Print Studio and Gallery.

Forests Edge, 1991 By Noel McKenna :: Art Gallery Of NSW   DA: 25 PA: 27 MOZ Rank: 71

  • Noel McKenna was born in Brisbane and studied at the Brisbane College of Art from 1976-78, before moving to Sydney in 1981 to undergo further studies at the Alexander Mackie College
  • He remained in Sydney, forging a career over three

CV — Georgia Morgan   DA: 25 PA: 7 MOZ Rank: 52

  • July 2021, Shape & Colour, SOCIAL, Hobart (group) September 2021, Sydney Contemporary (w Bett Gallery) September 2021, By Proximity, Firstdraft, Sydney (solo) October 2021, IT’S ONLY A GIFT IF YOU SEE IT AS A GIFT, Outerspace Ari, Brisbane (group) Solo Shows
  • 2021 Fermented Preserves, Bett Gallery, Hobart
  • 2020 4 weeks in Fight Talk Place, Wreckers Artspace, …

Gregory O’Brien 2009 – ŌRONGOHAU BEST NEW ZEALAND POEMS   DA: 30 PA: 42 MOZ Rank: 93

Gregory O'Brien is a full-time writer and artist, based in Wellington.Current projects include a monograph on the Australian/New Zealand painter Euan Macleod (forthcoming, Piper Press, Sydney, October 2010) and a book about the illustrator/artist Graham Percy, which will appear from Auckland University Press in …

ArtAsiaPacific: Sydney Contemporary2021 Reveals Gallery Lineup   DA: 18 PA: 48 MOZ Rank: 88

  • Cicada Press (Sydney) Gallery East (Perth) Melbourne Studios (Melbourne) Northern Rivers Contemporary (Northern Rivers) Open Bite Printmakers Inc
  • (Sydney) Southeast Studios (Brisbane) Susan Baran (Sydney) Transmedial (Perth) Upspace Ultimo Project Inc
  • (Sydney) Whaling Road Studio (Sydney)

Links · Links · Resources · Australian Prints + Printmaking   DA: 27 PA: 17 MOZ Rank: 67

  • Resources Links Australia, Asia and the Pacific Region Printmakers organisations
  • was founded in 2004 by Tasmanian printmakers aiming to establish a public access printmaking studio in Hobart, Tasmania
  • Print Council of Australia.A not-for-profit visual arts organisation that promotes all forms of contemporary prints, artists' books, and paper

Gregory O’Brien 2010 – ŌRONGOHAU BEST NEW ZEALAND POEMS   DA: 30 PA: 42 MOZ Rank: 96

  • Gregory O’Brien is a Wellington-based writer and painter
  • Between 1997 and 2009 he was a curator at City Gallery Wellington, where he worked on exhibitions (with accompanying books) by Ralph Hotere, Rosalie Gascoigne, Laurence Aberhart, John Pule, Fiona Hall, Elizabeth Thomson and others.

Soft Parts II. (2001) By Peter Sharp (1964–) · Impression   DA: 27 PA: 19 MOZ Rank: 71

  • Purchased by the National Gallery of Australia, from Cicada Press, Sydney, 2007
  • Gordon Darling Australia Pacific Print Fund, celebrating the National Gallery of Australia s 25th anniversary, 2007
  • CICADA PRESS | (2003–) Organisation | print workshop
  • SHARP, Peter | (1964–) Australian | …


Sydney Contemporary today announced it will become an annual event from 2017 onwards, responding to gallery and artist demand for a premium art fair held yearly in Australia.

Among The Termite Mounds   DA: 18 PA: 50 MOZ Rank: 95

  • Sydney, printed by Michael Kempson at Cicada Press, Sydney Medium etching, aquatint printed in brown inks on paper Dimensions 49.5 x 69.0 cm (plate) 60.0 x 80.0 cm (sheet) Credit line Gift of the artist through the Art Gallery of South Australia Contemporary Collectors 2019

BLACK DIAMOND By Blackartprojects   DA: 9 PA: 46 MOZ Rank: 83

PRIZES / GRANTS / RESIDENCIES 2013 Residency, Gertrude Contemporary, Studio Residency, Melbourne 2012 Residency, University of NSW, Centre of Fine Art, Print Residency with Cicada Press, Sydney

4A Centre For Contemporary Asian Art Cups Of Nun Chai   DA: 13 PA: 29 MOZ Rank: 71

  • Join artist and writer Alana Hunt and filmmaker and founder of Yaarbal Books, Sanjay Kak, in conversation with curator Jasmin Stephens for an in-depth discussion as we release the decade long body of work Cups of nun chai into the world in book form with 4A Centre for Contemporary Asian Art as a part of 4A Digital.

Select Publications By Mr Michael Kempson UNSW Research   DA: 20 PA: 39 MOZ Rank: 89

UNSW Sydney NSW 2052 Australia Telephone +61 2 93851000 Authorised by Deputy Vice-Chancellor (Research) UNSW CRICOS Provider Code: 00098G ABN: 57 195 873 179

Miranda K. Metcalf University Of Arizona   DA: 20 PA: 32 MOZ Rank: 83

  • is a place to share and follow research
  • University of Arizona, College of Fine Art, division of Art History, Alumnus

Ghost Citizens: Witnessing The Intervention, Counihan   DA: 19 PA: 50 MOZ Rank: 18

Ghost Citizens: Witnessing the Intervention, Counihan Gallery, Melbourne — 17 May to 16 June 2013 Artists: Vernon Ah Kee, Alison Alder, Bindi Cole, Fiona Foley, Dan Jones, Kylie Kemarre, Fiona MacDonald, Chips Mackinolty, Sally M Mulda, Amy Napurulla, Brendan Penzer, Therese Ritchie, Deborah Vaughan, Jason Wing.

Michael Kempson Arts, Design & Architecture   DA: 19 PA: 27 MOZ Rank: 79

  • University of New South Wales Art and Design, Corner Oxford Street and Greens Road, Paddington Sydney, Australia , G Block, Room G115
  • Born in Kapunda, South Australia in 1961, Michael Kempson has developed an extensive printmaking practice in Australia and the

4A Centre For Contemporary Asian Art Chen Qiulin: One   DA: 13 PA: 50 MOZ Rank: 97

  • Sea Pearl White Cloud is a project realised through a collaboration between 4A Centre for Contemporary Asian Art, located in the heart of Sydney’s Chinatown, and Guanzghou’s Observation Society, one of China’s most exciting contemporary art project spaces
  • Bringing together Sydney-based artist Lucas Ihlein and Guangdong-born, Hong Kong-based artist

That's Inked Up: 2011   DA: 25 PA: 6 MOZ Rank: 66

  • The 'moat' further disconnects it from the rest of the world
  • This pointed message was most appropriate after 9/11 when the nation wanted to insulate itself from that attack
  • We felt alone, vulnerable confused and unsure who was the enemy
  • The moat's larger mirror-shape of the States echoes our feelings of separation.

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